Bachelor of Music (BM) or Bachelor of Arts (BA)
Master of Music (MM) or Graduate Certificate (GCRT)
Doctor of Musical Arts (DMA)
If you are planning to apply to the Artist Diploma program please follow the audition requirements on the Artist Diploma page.
Applicants to programs in Piano must submit a pre-screen recording (an Audio only recording is allowed, but a video recording is preferred) to be reviewed by the faculty. The results of this pre-screen will determine whether an applicant will be invited to perform a live audition on the USC campus in Los Angeles.
Recordings will not be accepted via mail or email for this program. Recordings must be submitted online through the “Fall SlideRoom portal” by the December 1st deadline. Any application not complete by December 1 may be removed from consideration.
- DMA applicants are required to submit a “Personal Introductory Video” as part of their SlideRoom Portfolio. For detailed instructions click here.
- Current USC Thornton students applying for a graduate program are not required to submit a prescreen recording, however they must indicate on the application that they are a current Thornton student or they will not automatically be scheduled for a live audition. Current USC students are encouraged to contact Kit Bellamy in the Thornton Admission office with any questions or concerns regarding audition scheduling.
The repertoire required for the prescreen recording and the live audition are the same. Each movement of each piece submitted for prescreen must be uploaded as a separate file (e.g., a Bach prelude and fugue must be uploaded separately, each movement of a Beethoven sonata must be uploaded separately). Each uploaded file must also be labeled to indicate the composer, title, and movement (if applicable). This labeling must be done in the designated “TITLE” field in the Slideroom portal. Please note that if you plan to use your prescreen recording in lieu of a live audition, your prescreen is required to be an unedited, single-camera video, performed in one sitting.
Both the Pre-screen recording and the live audition should include the following works entirely from memory:
- Baroque – a Prelude and Fugue by J. S. Bach from the Well-Tempered Clavier
- Classical – a complete multi-movement sonata by a classical composer, up to and including Schubert, but excluding Beethoven opus 49 and 79
- One piece from the Romantic, Impressionistic or Contemporary repertoire
- An etude
- A Prelude and Fugue by J. S. Bach from the Well-Tempered Clavier
- A complete sonata by Haydn, Mozart, Schubert, or Beethoven, excluding Beethoven opus 49 & 79
- A complete work of a 19th-century composer
- One piece or single movement of contemporary, modern or impressionist style
- An etude of virtuosity at the level of those by Chopin, Liszt, Rachmaninoff, Scriabin, Debussy, Bartok, Stravinsky or Ligeti
- Applicants must prepare a full-length (60 minute minimum), memorized recital, which includes works from at least four contrasting style periods, including a work that is either contemporary, modern or impressionist. In addition, pianists must present from memory an etude of virtuosity at the level of those by Chopin, Liszt, Rachmaninoff, Scriabin, Debussy, Bartok, Stravinsky or Ligeti. Applicants should also be prepared for sight-reading and an interview as part of their second-round, live audition. All second-round, live DMA piano auditions will be 30 minutes in length.
- Those applicants who pass the pre-screening round will be invited to campus for a live audition as the second round. Applicants located within 100 mile radius of USC are required to audition live in person. If an applicant who has passed the first round cannot be accommodated in a live audition (outside of the 100 mile radius), that applicant must contact the Thornton Admission office at (213) 740-8986 to request that their pre-screen video recording be considered in lieu of a live audition. Please note that if you plan to use your prescreen recording in lieu of a live audition, your prescreen MUST be an unedited, single-camera video, performed in one sitting. DMA applicants may not use the prescreen as their live audition; all DMA applicants must perform a live audition.
- All applicants should carefully note that no concerti will be accepted as audition pieces and that all audition pieces MUST be memorized. Persons failing to prepare the full audition program following the guidelines described above on both the prescreen recording AND for the live audition, will not be permitted to perform a live audition nor offered admission to the program.
- Current USC undergraduates auditioning for the Master’s degree can use their recital or jury as the audition, however current USC Master’s students auditioning for the Doctoral degree must audition on a scheduled audition day.
Important notes for spring:
- For admission to the Spring semester, all applications and supporting materials must be submitted by the October 1st deadline. Any application not complete by October 1 may be removed from consideration.
- Applicants for spring admission are required to submit a recording for pre-screening.
- Undergraduate applications are not accepted for Spring admission to this program unless the applicant is already enrolled at USC.
- Current USC piano students for spring admission are not required to submit a recording for pre-screening.
- Spring applicants will be notified via email regarding their prescreen decision.
Applicants wishing to study harpsichord should refer to the early music program requirements for information regarding entrance requirements.