From Jazzheads to Cowboys

By Jason S. Dennis

Singer/songwriter Ned Ledoux headlining at the 2017 Monterey Cowboy Festival. (Photo courtesy of Eric Dubbury)

Eric Dubbury and Ben Bransford faced a concert promoter’s worst nightmare. The USC Thornton alums had the venue, the artists, and all the costs of producing a live music event last December in Monterey, CA. What they lacked was an audience.

Less than a year after graduating from the Music Industry program, the two friends took over leadership of the ailing Monterey Cowboy Poetry & Music Festival. In an effort to revive the event, they invested not only their own capital but also money borrowed from friends and family.

Ticket sales were sluggish. By the day of the show, they had sold far fewer than they needed to break even. The duo was so angst-ridden as they drove to the Golden State Theatre in Monterey, they stopped checking the app on their phones that tallied sales—until they pulled up and saw the crowd pouring in.

The festival had sold nearly 300 tickets in a matter of hours, enough to not only break even but to turn a small profit and pay back the money Dubbury and Bransford had borrowed.


Ben Bransford and Eric Dubbury graduating from USC Thornton in 2016. (Photo courtesy of Eric Dubbury)

“The release of stress was something we had never felt before,” Bransford said. “We were walking into the show almost accepting a loss financially. It was this really cool turnaround of emotions.”

Such are the swings of fortune in a concert promoter’s life.

For Dubbury and Bransford, that life began when they met at USC in the fall of 2013. It was Bransford’s first day as a transfer student when he ran into a familiar face — USC Thornton faculty member Bruce Forman, who lives part-time in Bransford’s hometown of Carmel. The noted jazz guitarist mentors young musicians in the area, and Bransford had been lucky enough to be one.

“We knew each other when he came and stopped me and was kind of, that first day, bewildered,” Forman recalled, chuckling at the memory. “You know, where do I go, what do I do kind of thing. And that’s where I met Eric.”

Dubbury happened upon them in the hall and offered to show Bransford the way to class. The two students became friends, and Forman continued his role as a mentor.

“We’d see each other and talk and I’d ask how things were going, and they would come to my gigs. Like I say, I try to really create a community here. You know, it’s not just go and do business and leave. The music demands more than that. The kids deserve more than that.”


Interning at the 59th Monterey Jazz Festival. From left to right, Bill Wagner, Ruth Mason, Eric Dubbury, Ben Bransford, Sarah Boos, Executive Director Colleen Bailey ’92, and Jan Stotzer. (Photo courtesy of Eric Dubbury)

Graduating with a Network of Faculty and Friends

After graduating in 2016, the duo had big plans involving music but were searching for the right opportunity. When Dubbury was in a local bar near his home in Edmonds, WA, some nine months later, opportunity literally walked through the door.

“The door swung open, it was pretty late, and Bruce Forman walked in,” Dubbury said. “I hadn’t seen him since I was at USC as a student.” Forman was in town to play a local jazz festival. The surprise encounter gave them the chance to catch up.

A week later, Forman called about another festival. The Monterey Cowboy Poetry & Music Festival had completed its 18th year, but its 19th looked doubtful. Its founder had passed away. It had lost money and accumulated debt. The board was tired, ready to disband. Forman had grown attached to the event after playing it for years with his band Cow Bop. With Dubbury fresh on his mind, he thought what the festival needed was an infusion of youth. He told the board about his dynamic former students and offered to make the connection. It helped that Bransford lived just 10 minutes from Monterey.

Upon learning of the potential opportunity, Dubbury and Bransford wondered what their roles would be. They had interned together at the Monterey Jazz Festival the previous summer, and they thought it might be a similar situation. They couldn’t have been more wrong.

“We thought at first that maybe this was another internship and we were going to work for the festival, but then I got a phone call back from Bruce because he kind of wanted an answer fast and he said ‘Eric, do you want to be in charge of everything? Do you guys want to be the bosses, the executive directors?’”

The answer was an unequivocal yes.


The night Dubbury ran into Thornton faculty member Bruce Forman (bottom right) at a bar in Edmonds, Washington. (Photo courtesy of Eric Dubbury)

Hands-on Experience at USC

“We have always just kind of been ambitious in what we think we can do,” Bransford said.

It was a mutual trait the duo recognized in each other from their first class together, MUIN 425, Live Music Production with Ken Lopez, former chair of the Music Industry program. Dubbury remembers it well. “Ken looked at our class and said, ‘You guys all have to go produce your own concert. No ifs, ands, or buts. No excuses. And you have to do it off-site.’”

Dubbury and Bransford teamed up for the year-long project and produced an ambitious show at the Catalina Bar & Grill in Los Angeles, featuring an 18-piece big band.

Bransford explained how this hands-on approach to education boosted their confidence in the real world. “It proved to us that we could do it. We could sell tickets. We could negotiate contracts. Make sure all the logistics were covered. Obviously, it was a small event compared to what we’re doing now, but it gave us that template.”

Though they knew how to stage a concert, the self-professed “jazz-heads” understood little about cowboy music, a subgenre of country and western, to which the broader genre owes its roots. It began with real cowboys of the West, singing songs and telling stories while driving cattle across the open range. Today, cowboy music retains it origins in storytelling and embraces a more folk-based sound than contemporary country music.

“We got a great crash course in cowboy culture, western culture, and it’s really caught on with Ben and me,” Dubbury said. “We’re very independent, free thinking, not afraid to be unique and different, and that’s part of that cowboy spirit. Go out and work hard. Be yourself. Don’t be cliché. Don’t blend in.”


The Golden State Theatre in Monterey, where the festival was formerly held. This year, the event expands to an outdoor stage at the Monterey County Fairgrounds. (Photos courtesy of Eric Dubbury)

The Marshall Spirit

Both Dubbury and Bransford fostered that independent spirit with classes at the USC Marshall School of Business, which they found dovetailed with their studies at Thornton.

“I think the Music Industry department is one of the best designed majors at USC in the sense that our classes in the music school that were specific to the entertainment industry were complimented by classes in the business school which were 100% business focused, so you really got the two sides that you needed,” said Bransford. He and Dubbury augmented their studies with additional courses at Marshall in Entrepreneurship.

That broad knowledge base served the duo well during their first year, in which they streamlined the festival and took some time to understand their audience. They increased their social media presence, tinkered with the lineup, and combined younger, more popular acts with familiar faces from previous years. The formula worked.

Bigger is Better

Like true entrepreneurs, Bransford and Dubbury are using what they learned last year to forge ahead. They made one thing smaller — the name, now simply Monterey Cowboy Festival. But for the event’s 20th anniversary, everything else will get bigger.

They moved the event to the Monterey Fairgrounds and added a second stage. Last year, four acts played to an audience of 650. This year, fifteen acts may draw up to 5,000. John Pardi and Midland will headline the festival, rising talents who Bransford anticipates will soon become “two of the top 25 names in country music.” Of course, Forman will be there with Cow Bop.


Left. Bransford and Dubbury doing promotion for the festival at a Salinas radio station; Right, managing a cowboy music festival requires a fair amount of hay-moving. (Photos courtesy of Eric Dubbury)

According to Bransford, this kind of exponential growth was the plan all along. “Eric and I, really from the first phone call on were saying, whatever we do, we’re going to try to make this big.”

Even the festival’s charitable component, something important to both of them, is getting a boost. They created a scholarship fund in the founder’s name that will donate $10,000 to local music students.

If all goes well, they have even bigger plans in mind.

“If this is successful and we can keep building this,” Dubbury said, “I think this is the start of hopefully a much bigger brand that we can build in live music across multiple genres.”

They have a believer in Forman. “Really, I always felt that they could be a juggernaut. This is the way it happens. Because you learn by doing.”

For now, they’ve got their hands full with one festival and a perennial challenge. “We’re still losing sleep at night, hoping people buy tickets,” Bransford admitted.

That will always be the concert promoter’s life.

The 20th annual Monterey Cowboy Festival takes place on Sat., Nov. 3. For more information, visit

TAGS: Contemporary Music, Jazz Studies, Music Industry, Music Industry Masters,

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