Women in Music
By Tyler Francischine
In recognition of Women’s History Month, USC Thornton celebrates women in music, honoring the talents, accomplishments and experiences of its female students, alumni, faculty and staff.
At the USC Thornton School of Music, female students, faculty, staff and alumni are constantly blazing new trails and opening new doors, all while being authentically themselves – even in areas typically dominated by men. To honor the contributions of this important group within Thornton’s community, read this retrospective review of what Thornton’s talented women have been up to within the span of a single year:
In Her Own Words
Let the women of USC Thornton tell you about the moments that made them most proud, the opportunities that changed their lives forever and what it feels like to be part of the Thornton community:
“Our class has become like a family over the past four years. I feel like we can all come together about music, but also about life. Our relationships as friends have impacted my growth not only as a musician, but as a person.”
– USC Thornton Popular Music program senior Sophia Dion
“The best contribution you can make to the field is to bring your authentic voice to the profession. Bring your experiences, your research and your truth, and share it with the world. We have a story to tell and stories yet to be told. Be bold in your educational and musical leadership by taking up space, innovating in the classroom, leading instructional changes and serving as administrators, faculty, deans and more.”
– USC Thornton Music Teaching & Learning doctoral student Angelica Brooks, winner of the 2022 Presser Music Award, which is given to a graduate student demonstrating excellence and outstanding promise for a distinguished career in music
“Very few people really opened up to me about how to work in the industry or shared any resources, documents or budgets. I felt I had to fake it ‘til I made it, which was a disservice to the artists I was working with early on. I want to teach the next generation how to do things, because that’s going to serve the artists best.”
– USC Thornton adjunct instructor Sophie Reeves, who hired her music industry program students to work as production assistants (PAs) for the Super Bowl LVI and the Free Larry Hoover Benefit Concert featuring Ye and Drake
“I believe the most important thing between a teacher and student is trust. A singer’s voice is one of their most personal means of identity and expression. It is my job as a teacher to create an environment in which every student feels encouraged to uncover the thrill of technical discipline, the beauty of refined musicality and the most honest emotional connection in their singing.”
– USC Thornton Vocal Arts Department and Opera program faculty member Elizabeth Hynes, who holds the Stephen H. Crocker Professorship in Music
“The arts leadership program helped me reach where I am today because it challenged me to think bigger and take on the issues that are immediately impacting communities around me. I now know that arts leaders have a responsibility to directly respond to the issues facing society today, which is the driving force behind the work I’ve committed to in the arts.”
– USC Arts Leadership program alumna Jasmine Khorsandi (MS ’21), who now works as a digital associate with the non-profit organization New Music USA
“As a woman in this field, you have to have pretty tough skin and a deep resolve in understanding who you are and what you want. At the moment, it may feel like you have to work much harder and make less mistakes to even have a chance to be considered on the same playing field. But, every day, it gets easier, and there are a handful of women in this role at the top of the industry who opened the door for me. I would encourage anybody who’s interested to pursue it and not be discouraged by gatekeepers they perceive to be there.”
– USC Thornton Screen Scoring program alumna Danielle Dupre (’11), a post-production sound mixer at Skywalker Sound
“Thornton in general and the classical guitar program especially have a really good, strong community. It’s very supportive. Some studios can be very competitive; our studio here is more like a family.”
– USC Thornton Classical Guitar alumna Bokyung “Bo” Byun (DMA ’20), who became the first woman to win the Guitar Foundation of America International Concert Artist Competition in 20 years. Another USC Thornton classical guitar graduate, Martha Masters (DMA ’00), was the winner in 2000.
“If I’m a model, it’s a model for what’s possible. In the popular music program, we need to take care of each other, lift each other up and inspire one another.”
– USC Thornton Popular Music Program Chair Patrice Rushen, whose R&B track “Forget Me Nots” inspired a global dance craze on TikTok, and whose symphonic compositions are performed alongside works by Shostakovich and Tchaikovsky
By no means a complete list, here is a collection of recent, headline-grabbing accomplishments from Thornton’s female students, faculty and alumni:
- Screen scoring program alumna Raashi Kulkarni (GCRT ’16, MM ’18) was one of eight composers – and the first Indian-American composer – selected for the Universal Composers Initiative, a development program for composers from underrepresented backgrounds created by NBCUniversal and the Global Talent Development and Inclusion Group.
- Composition program doctoral student Julia Adolphe (MM ‘12) premiered a violin concerto, “Woven Loom, Silver Spindle,” with the LA Phil in December. This is the second commission that Adolphe has done for the orchestra.
- Vocal arts department alumna Dr. Reyna Gordon (‘01) was promoted to associate professor and awarded tenure in the Vanderbilt University Medical Center Department of Otolaryngology – Head & Neck Surgery.
- Armenian guitarist Pardy Minassian, a graduate certificate student in the USC Thornton Classical Guitar program, was awarded a project grant from the Calouste Gyukbenkian Foundation for her multimedia series based on forgotten, unpublished Armenian folk songs, which she’s gathered from her father’s collection of interviews with Armenian genocide survivors.
- Antoinette Perry, a faculty member in the USC Thornton Keyboard Studies program, was honored with the California Association of Professional Music Teachers (CAPMT) Lifetime Achievement Award at the 2021 CAPMT state conference.
- Composition faculty member Camae Ayewa was the focus of a New York Times profile, which discussed her latest album, Black Encyclopedia of Air, and her collaboration with free jazz collective Irreversible Entanglements called Open the Gates.
- Early music vocal performance master’s student Marina Hovhannisyan released an EP, A Living Story, featuring five Armenian folk songs from different regions, composers and time periods including “Your Prominent Eyes” by Komitas and “Foreign Nightingale” by Sayat Nova.
- Associate artistic director of the Los Angeles Master Chorale (LAMC) and choral & sacred music alumna Jenny Wong (MM ‘13, DMA ’17) co-directed the LAMC on Jan. 30. in a program featuring music written by choral & sacred music alumna Zanaida Robles (DMA ‘14) and the world premiere of work composed by composition program alumna Dale Trumbore (MM ‘11).
- Dale Trumbore (MM ‘11) was named among The Washington Post’s list of 22 composers and performers to watch in 2022.
- Vocal arts department and opera program alumna Angela Meade headlined the 2021 season of Ireland’s Wexford Festival Opera.
Read more about the accomplishments and experiences of USC Thornton’s female students, alumni, faculty and staff.
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