Five golden rings, four turtle doves? Well, something like that.
While our students and faculty are packing their holiday bags and returning to their homes near and far, we wanted to celebrate with our own Twelve Days of Christmas — or, in this case, Five Days of Thornton, a week-long look back at an amazing fall semester.
Continuing its commitment to reimagining music education for the 21st Century, USC Thornton’s biggest accomplishment this fall was the launch of a new Master’s degree in K-12 Contemporary Teaching Practice. The degree is a rethinking, top to bottom, of what it means to train music educators.
“We are looking to transform the landscape of music teaching and learning to a more contemporary place that celebrates the musical world students inhabit in 2017,” said Peter Webster, Vice Dean of Division of Scholarly and Professional Studies and Scholar-in-Residence.
Graduates of the program, which provides a credential path for students who wish to teach in public or private schools in California and other states, will leave with the tools to lead a choir or orchestra in the morning, a rock band or acapella group in the afternoon, and coach songwriters on an iPad in the evening.
Less than two years out of school, Screen Scoring alum Duncan Thum (’06, GC ’13) was nominated for his first Emmy Award. The following year, he was nominated again.
USC Thornton artists made their mark on the 60th GRAMMY Award nominations, with faculty and alumni receiving nods across eight categories. Alumni Billy Childs, Michael Tilson Thomas, and many Jazz Studies faculty and alumni received nominations.
As part of the first exchange with Finland’s Sibelius Academy, Composition student Curtis Green described everything, from nearly losing his way home in Helsinki’s sub-freezing temperatures to rethinking his artistic process, in a remarkable semester abroad.
Returning to Studio A
Thornton thrives on collaboration, and that is particularly true in the Contemporary Music Division. Last April, the USC Thornton Jazz Orchestra, along with Music Production and Recording students, gathered at Capitol Records to record big-band arrangements of classic film scores adapted by Screen Scoring majors.
Learning on the Job
Arts Leadership alum Benjamin Mitchell reflected on the ongoing success of the Kaleidoscope Chamber Orchestra, an innovative and conductorless ensemble that is shaking up notions of how, when, and where we present classical music.
On Oct. 27, the USC Thornton Wind Ensemble presented the West Coast premiere of Composition faculty Frank Ticheli’s Silver Lining: Concerto for Flute and Wind Ensemble featuring fellow faculty member James Walker on flute. They began the concert with another faculty premiere, performing Boyde Hood’s Autunno Toscana.
In November, the USC Thornton Opera Program presented Handel’s Alcina with a decidedly contemporary edge, right down to its wildly-tattooed protagonists and surrealistic set. This production marked just the first in a series of collaborations with the School of Dramatic Arts. Next March, USC Thornton and the USC Kaufman School of Dance will team with the school to present a new production of West Side Story, which Vocal Arts & Opera chair Kenneth Cazan will direct.
A celebration of the USC Village was never going to be a small-time affair. The $700 million development is the largest in the history of South Los Angeles, and when it came time for a performance, USC Thornton anchored the evening with two monumental pieces featuring the USC Thornton Symphony, Choral Artists, and students from the Classical Guitar program.
The USC Thornton Jazz Composers’ Collective performed at the 60th annual Monterey Jazz Festival on Sunday, Sept. 17. What’s possibly more impressive than their two slots on the main stages of the storied festival is that the musicians won the opportunity by showcasing original music.
Saxophonist and Jazz Studies alumnus Alex Hahn (MM ’16) has released new album, Emerging, featuring performances by USC Thornton students Paul Cornish, Ramsey Castaneda, and Logan Kane, as well as alumnus Jon Hatamiya (MM ’16), Hahn’s colleague at the prestigious Thelonious Monk Institute of Jazz.
Jenny Wong (MM ’13, choral), a DMA candidate in the Choral & Sacred Music program, was promoted to the role of Associate Conductor for the Los Angeles Master Chorale. She has previously served as Assistant Conductor with the ensemble, in addition to her duties as Interim Director of Music at All Saints Church in Pasadena.
Check back each day this week for new stories in our “Five Days of Thornton” recap!
TAGS:Arts Leadership,Choral and Sacred Music,Classical Guitar,Classical Performance and Composition,Composition,Contemporary Music,Early Music Performance,Jazz Studies,Keyboard Collaborative Arts,Keyboard Studies,Music Industry,Music Teaching and Learning,Music Technology,Musicology,Organ Studies,Popular Music,Research and Scholarly Studies,Screen Scoring,Strings,Studio Guitar,Vocal Arts,Vocal Arts and Opera,Winds and Percussion,